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Why ‘Award-Winning Photographer’ Might Not Mean What You Think

  • 9 hours ago
  • 4 min read


We’ve all seen it plastered across websites, Instagram bios, and email signatures: “Multi-Award-Winning Photographer.” 


It sounds prestigious, doesn't it? It conjures up images of a tortured genius snapping a once-in-a-lifetime shot, being handed a trophy by a panel of elite judges, and instantly becoming the Michelangelo of the lens.


Between 2009 and 2015, I was that photographer. I collected those badges like Pokémon cards, proudly displaying them on my homepage.


But then I took a step back and realised two glaring truths:


  • I was paying a small fortune just to enter them.

  • They weren’t doing a single thing for my actual career or my clients.


If you’re looking to hire a photographer, let’s lift the curtain on the photography awards industry. Here is why the phrase “award-winning” isn’t all it’s cracked up to be, and what you should actually be looking for instead.



Credit Where Credit is Due: The Exceptional Exceptions


Before we dive into the murky waters of the awards industry, it is only fair to clarify one thing: not all awards are created equal, and some award-winning photographers are genuinely exceptional. 


BPPA Press Photographer of the Year Awards 2022 poster collage of rock musicians performing on stage, with bold orange title.

There are highly prestigious, fiercely competitive institutions out there, like the World Press Photo awards (WPPA), the British Press Photographers Association (BPPA), the Wildlife Photographer of the Year, or elite, peer-reviewed documentary photography associations.



The photographers who win these are often trailblazers who have spent years honing a unique craft, risking their safety, or pushing the absolute boundaries of visual storytelling. They deserve every bit of recognition they get.


The issue isn’t with world-class talent. The issue is with the watering down of the title. For every photographer who won an award based on sheer, undeniable mastery, there are dozens more who simply entered a local or online "pay-to-play" competition where the barrier to entry was a credit card rather than world-class skill.



The Pitfalls: How the ‘Awards’ Machine Works


For the vast majority of consumer-facing photography, the awards industry is a very clever business model. Here is how it really works:


  • The ‘Pay-to-Play’ Model: Almost every standard photography competition requires an entry fee. It can range from £15 to £50 per image. If a photographer enters 20 images across a few categories, they’ve spent hundreds of pounds before a judge has even looked at a photo.

  • The Badges Are for Sale: In many digital competitions, if you win, you are given a digital badge. But if you want the actual physical trophy, a certificate, or a spot in their "annual book," you have to pay more money. It's less about merit and more about who has the biggest marketing budget.

  • The ‘Everyone's a Winner’ Loophole: To keep photographers coming back (and paying entry fees year after year), many organisations hand out awards like participation trophies. There are Gold, Silver, Bronze, Highly Commended, Commended, and Finalist ribbons. With so many categories and tiers, a huge percentage of entrants walk away with something to put on their website.



Why It Doesn't Matter for Your Photos


When you hire a photographer for your wedding, your family portraits, or your commercial branding, you aren’t hiring them to win a competition. You are hiring them to capture your story. Here is why award-winning photos don't translate to a great client experience:


Competition Photos vs. Real-Life Photos

The images that win awards are often highly stylised, dramatic, or edited to fit a specific trend that a specific panel of judges likes that year.

But a wedding day or a family shoot isn't a controlled studio environment. An "award-winning" photographer might be fantastic at capturing one perfectly posed, dramatic shot, but can they handle a dark reception room, a rainy afternoon, or a toddler throwing a tantrum?


The Ego vs. The Client

When a photographer is chasing awards, they are shooting for the validation of their peers. When they stop chasing awards, they start shooting for you.


I’d much rather capture a candid, blurry laugh between a grandmother and her grandchild that makes a family cry with joy, than a technically perfect, sterile portrait that wins a digital badge from a committee in an office block.


What Actually Matters When Choosing a Photographer


If you can't rely on the "award-winning" label to find a good photographer, what should you look for?

  • Consistency: Don’t just look at their highlights reel or their Instagram grid. Ask to see a full gallery from a single shoot. Can they deliver high-quality images from the beginning of the day to the end?

  • Connection: Do you actually like them? You will spend a lot of time with your photographer, and if you feel awkward around them, it will show in your photos.

  • Reviews from Real People: Google and Facebook reviews from actual clients are worth weight in gold. A five-star review from a couple whose wedding day was saved by a calm, organised photographer means infinitely more than a Bronze badge from a pay-to-enter competition.



The Verdict


I haven't entered a photography competition since 2015 (although I have been nominated by peers), and my business has never been better.


Awards are great for a photographer’s ego, but they don't serve the client. When you look at a photographer’s portfolio, trust your gut. If the photos move you, if you can feel the emotion, and if you get a good vibe from the person behind the camera, that’s the real prize.

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